CURRENT EXHIBIt

 

Holding Space, Borrowing Time (dirty dishes and dust bunnies)
Monoprints and Casein Paintings by Jessica Poland

RECEPTION   Saturday, February 8, 4–6pm

Jessica Poland’s monoprint drawings and casein paintings play with color and light, and pay a quiet homage to nature’s geometric simplicity. The exhibit title highlights that her art practice is a product of juggling a career and family life, and embracing a certain amount of chaos (i.e. dust bunnies) in balancing the sacred and mundane in daily life.

ARTIST  STATEMENT

“For most of human history, the vast majority of people have made their art in stolen moments, using scraps of borrowed time…”

These words from Elizabeth Gilbert have blazed my creative pathway for the past several years. As a full-time working mother who pieces together bits of time for my own artmaking practice, it gives me comfort to know that people for thousands of years have found time to create a little beauty amidst the dramas of their daily lives, in spite of unfinished chores or unfulfilled obligations. This recognition inspires me to do the same in my busy life where it is all too easy to say there isn’t time for art. The pieces here are the results of many stolen moments—dirty dishes left in the sink, laundry left unfolded, and time stolen away from loved ones. It is important to me to name this and literally hold space for the fact that the things and people we love most in life sometimes require equal sacrifice in order to find balance with all that matters. I strive to accept the imperfection in all of my identities as artist, mother, partner, and career-person. To hold space for artmaking is to hold sacred time and to give something back to myself.

Nature is my primary muse, and I work to create art that gives me the same sense of curiosity, respite, and spark that I feel when I’m in the wilderness. Often it is the smallest wonders in nature that inspire me the most: crystal frost on a branch, leaves catching light in the wind, or subtle color differences of river rocks. I’m drawn to simple geometric forms for their sense of peace and equilibrium. Birds are also often a central theme, carrying significance for me in their ability to bridge the land and sky—the fixed and the infinite.

I work back-and-forth between monoprinting and painting. Trace monoprinting is a process by which I draw or press into a piece of paper lying on an inked plate. The images and lines revealed when I lift the paper from the ink are somewhat accidental and mimic the randomness of nature’s patterns. Casein is a milk-based paint with roots dating back 9000 years, and its luminous colors and hard/soft plaster-like qualities allow me to explore my fascination with color, light, and texture. 

Jessica Poland is a Durham-based painter, printmaker, wife, and mother and spends her weekdays working as office manager for the American Civil Liberties Union Capital Punishment Project. Jessica received her BFA from Guilford College, and has pursued further education through workshops at Penland School of Crafts, Anderson Ranch Arts Center, Pocosin Center of the Arts, and the Schweinfurth Art Center. Jessica was a 2024 winter resident at Penland and she has exhibited her work regionally in juried gallery exhibitions and invitationals. This exhibit at Horse and Buggy Press is her first solo show.

Exhibit runs through February 28  


 

 

Below please see some other works that can be found in the gallery, and can be purchased at the click of a button.
We always have new works rotating in to complement the main exhibit, and the gallery is a fun resource when you need just the right piece for a spot in your home, or a special gift for a loved one.

 
 

This Birdhouses fine art broadside was created to celebrate the tenth anniversary of Rob McDonald’s Birdhouses fine press book. It features a photograph by Rob (printed with archival inks at Through This Lens) and a poem by Cynthia Rylant that I “shaped” in a typographic manner and was letterpress printed on a watercoloresque fine art paper.
Edition of 54, signed and numbered.
17 x 22 inches. Normally $145. Only $120 during this exhibition.
The 23 x 30 inch framed version (ebony stained wood, museum glass, 4ply archival mat) is $475.

Community. Photograph by Rob McD;onald. Fine art print from film negative (Holga camera) 10 inch square print centered on 13 x 19 fine art paper, with embossed stamp of authentication. Limited edition of 25, signed and numbered.
Normally $200. Currently $175.
Or $475 on the 18 inch square espresso stained hardwood frame, museum glass, black burlap matboard.

Engravings by Henryk Fantazos from Song of the Line. The hardcover fine press book features poems written over a twenty year period by Jack Gilbert along with a body of copperplate engravings created by Henryk in response to the reading of his longtime friend’s manuscript.

Images are appx. 4.5 x 7 inches and printed on a range of printmaking papers. $200 each

Broadside featuring a drawing by Allan Gurganus along with a quote from a talk he gave when honored by the North Carolina Writers’ Network. Digitally printed on heavyweight cover stock.
$30. 12 x 15 inches

Prints by Lauri Daughtry. 11 x 14 inches. $75 each
The Dictionary Art Series- a response to Covid19

On March 8, I randomly flipped open a long-forgotten and water- damaged dictionary (circa 1962 – my birth year) from the bowels of an antiquated desk at my high school, where I teach. 

Each day of this pandemic, I’ve had a focus, creating over 50 images so far. The feel and smell of an old book page, nostalgia and words from a time past, images familiar to many…

During this time of isolation, over 18 dictionaries have kept me company and kept me productive. Right before the local used book store shut down, I bought 2 boxes of dictionaries and I haven’t stopped yet; the more I look through the books, each with its own feel and smell, the more I want to sketch. The more people are impacted. I’ve also learned some things along the way about myself and the world including “Pandemic” is not a word in the 1962 Webster’s dictionary.  I found “epidemic” and “panic.”however. No one really wants an illustration of the corona virus right now but I sketched it anyway. There are many words I still don’t know, but want to learn. The unabridged  1968  Webster’s has over 2,000 fine, fragile pages.

Pop up book by John Davis celebrates the work of David Ellis and the Barnstormers. Appx 8 x 11 inches when closed.
"Some say we need more bombs to protect our way of life. I think we need more artists who bomb with their creativity, constantly reinventing the way we experience life, keeping us fresh, awake, inspired."—David Ellis
$125

Paddle vase collaboration between glassblower John Geci and Justin Rothshank. Justin creates decal imagery, then John blows glass, then a third layer of imagery is added to the piece.
14 inches tall, 10 inches wide, 5 inches deep.
Normally $450. Now $300.

Claire Ashby. Sandcast pendant, bronze alloy. Custom 16 inch sterling silver chain.
$175.

This broadside was created at the time of publishing Catharine Carter’s 112 page fine press book Journey which featured her photomontage work alongside texts by Joseph Campbell and Carl Jung. 17 x 23 inches. Mix of letterpress and giclee printing on 190g William Turner printmaking paper.
Edition of 38, signed and numbered.
$120 unframed, or $475 framed as shown with museum glass..

Maji Moto broadsides were created to accompany Courtney Fitzpatrick’s fine press book of the same name. The photographs were made during a 17 month sojourn to the Amboseli region where Courtney was working on field biology research as part of her PhD research. Courtney took to keeping a journal, filled with lyrical prose, and making photographs of the flora and fauna to keep sane while she lived in isolation and experienced the worst drought cycle in living memory. Combination of letterpress and giclee imagery. Signed and numbered editions of 28 (dual text) and 17 (Paternal Care). 17 x 23 inches
Normally $120. $100 during this exhibit.
$475 for the framed versions. 23 x 29 inches. Museum glass, sustainably harvested African hardwood.

Searching for Home. John McWilliams. Wood engraving framed with UV glass.  Print only. $100 (6 x 8 inches on gampi paper).  Black metal frame with UV glass. 12 x 14 inches. $250.

Searching for Home. John McWilliams. Wood engraving framed with UV glass.
Print only. $100 (6 x 8 inches on gampi paper).
Black metal frame with UV glass. 12 x 14 inches. $250.

Wood engravings by John McWilliams from his fine press monograph Sons and Father which was produced as part of his exhibit at the Halsey Institute of Contemporary Art in Charleston, South Carolina. This work celebrates the coastal environment where John resides (McClellanville, South Carolina). Images hand-printed on cream paper.
5 x 7 inches. $75 each.
$275 for framed versions of Self Portrait and Ghost (holding big fish) (see installation shots at top of page, stained hardwood frames, grey mats).

Broadside celebrating the Rubenstein Library dedication. The background is a digitally printed, two image collage (created from a photograph I made of the interior and a detail of the exterior elevation drawing dug up from the archives), and then the text was letterpress printed.
$30. 12 x 16 inches

Heart. Painting with Light by JP Trostle. Mounted on metal. 24 x 30 inches.
$275.
Also. Smaller unframed print. 8 x 12 inches. $80

Artist Book by John Davis. Trick or Treat. Folds down or can be expanded into a row or set up “in the round” as a star. $100

Work a Day Series by Lisa Creed. Framed with museum glass. Appx 8 inch square image. 12 inch square wood frame. Min Bid $275
Please know you can make an appt to view the hundreds of works in her flat file drawer. One piece for $90, two for $150, three for $225.

Noah Saterstrom. Faces. Virginia Woolf. Emily Dickinson. I.M.Pei
$700. Now Reduced to $425.
12 x 12 inches. Oil on canvas.
I met Noah in 1998 when he was teaching at Warren Wilson and I was a visiting artist. Upholding the strictest WW code of conduct, I met with three groups of students, never once setting foot in a classroom. We met under an oak tree, around his wood stove, and in the gallery. Noah is approaching the fourth year of making his Faces paintings and has made over 200 paintings of heros and sheros, many of them made immediately, in one extended sitting, upon learning of their death

Photos of writers working habitat by Rob McDonald from the Hub City Press Book Carolina Writers at Home. Digitally printed from film negatives, edition of 10. Matted in Vintage frames with UV glass.
Allan Gurganus Foyer. appx 12 x 15 inches. $225
Daniel Wallace. Lost. appx 13 inches square. $225
Michael Parker. Cacti. appx 13 x 15 inches. $225

The Four Humours interactive artist book by Mary Yordy.
9 x 12.5 inches when closed, opening to 12.5 x 18 inches. $100