These signed and numbered limited edition archival fine art prints are masterfully printed by photographer Alex Harris in collaboration with Margaret. The extraordinary reproduction fidelity gives the illusion that these are the three dimensional originals. Each work is signed and numbered by Sartor, and features a custom embossed stamp. Editions are strictly limited to 10 prints for the larger size and 25 prints for the smaller size, and the price increases by $125 when the midway point of the edition has been reached.

Margaret has two suggested framing options for these works which we can execute (beginning at $250 per piece). Details, and images of these square stock (black, white wash, or natural maple) frames can be shared if interested. Additionally our Broad Street neighbors Craven Allen Gallery/House of Frames (the best frame shop in these parts), extends a ten percent discount on all works purchased from our galleries.

Margaret Sartor is a writer, curator, and visual artist who lives in Durham. Her books include Where We Find Ourselves: The Photographs of Hugh Mangum 1897–1922 (with Alex Harris), What Was True: The Photographs and Notebooks of William Gedney (with Geoff Dyer), and the New York Times best-selling memoir Miss American Pie: A Diary of Love, Secrets, and Growing Up in the 1970s. Sartor’s photographs and essays have appeared in numerous books and publications, including The Paris Review, Aperture, The New Yorker, Black: A Celebration of a Culture by Deborah Willis, and most recently, Visible Spectrum: Portraits from the World of Autism by Mary Berridge. Her photographs reside in permanent collections including: the Museum of Fine Arts in Houston, the Ogden Museum of Southern Art, the New Orleans Museum of Art, and the North Carolina Museum of Art. As a curator, Sartor has worked with the Nasher Museum of Art, the International Center for Photography in New York, and the San Francisco Museum of Modern Art.

Scroll down for series info and purchase links.